Hughes says in the film, “Sometimes people live dishonestly because they want to avoid persecution and loneliness. And they somehow, if they could, have to find a way round them.Īs Mrs. One of the interests of writing period drama is that you have these challenges in earlier societies for people who were gay, for women, for the black community, all sorts where obstacles were constantly being placed in their way. But people in every society have to find a way, if they can, of living an authentic life in which they can be fulfilled and be happy.
It’s quite a rare movie star even now would come out as gay. And there’s a flirtation between Branson and the actor Guy Dexter (Dominic West). There is a film crew making a movie with sound on the premises. It’s clear the times are different in a New Era when we see Mary’s children run downstairs. To have a different, more hands-on relationship with their possessions. A lot of those families did survive, but the way through was to use the estates differently. And if they’re going to survive, they’ve got to be different. sees that this new time they’re going into is different. when key members go, because other key members will evolve. That was the point that I wanted to make-that in a family like the Crawleys, it’s O.K.
But ultimately, the important thing is the family that survives. And that is why people can die, and it can be very sad-their own generation misses them. If you’re talking to them, they say, “We fought at Waterloo,” as if it was all them. The key philosophy of these families is that the important unit is the family, and not the individual members of it. The Dowager gets this almost royal sendoff by the family. And in fact, she thought it was absolutely ghastly. And really it was their children, the next generation of viewers, who changed that.But my father and mother used to talk about how they took one of my father’s aunts to a film with Ginger Rogers and Fred Astaire, thinking she would be won over. The idea that they should take them seriously was completely alien to them. I grew up at the end of that, when films were considered-certainly by the British upper classes-fairly working-class entertainment that had taken over from the music hall. I didn’t realize that the idea of making a movie at Downton, which the Dowager sees as horrifying, would be such rich comedy material. And in a way, that’s the climax of the whole -that she should go out on a laugh. From day one, she’s had moments of being laugh-out-loud, and then she’ll do something that is really very powerful. But that mixture of comedy and being moving is something that she’s played really from the beginning. What did Maggie think when she first read the scene? In her last breaths, the character still manages to land some great comedic lines. And of course I knew Maggie would be marvelous. I knew it would be a very moving moment because the cast, who are part of that moment, are all the cast really. Can you talk about conclusively saying goodbye to the Dowager in A New Era ? The first film ended with a more dramatic goodbye.
The TV series ended with a vague goodbye to her. That was especially the case with Maggie Smith’s Dowager Countess character. You mentioned having to say multiple farewells. I’ve watched these young juveniles turn into leading ladies and leading men. But in real life, it’s taken 13 years, so there’s not very much difference. I think we’ve gone from 1912 to 1928, so that’s 16 years. And then two years go by and I’m there again.
There are more videos in total, and most of them are available in Full HD resolution.Julian Fellowes: It’s an extraordinary adventure, really, because I’ve said goodbye to them all about four or five times.
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